I read these four books during the first quarter of 2012. Let me comment on them:
Sing You Home: Picoult deals with issues like in vitro fertilisation, marriage and homosexuality in this interesting discourse. Max Baxter's character is really underdeveloped and flat. Apart from that, some arguments seem to tip the scales to one side.
Sanctus: Marvelous writing at the beginning, with fresh and original descriptions about scenes and people. Regrettably, when actions start to roll, the prose becomes ordinary and unmemorable.
The Jefferson Key: I always have high expectations for Steve Berry's works, but this one is a let down for me. Berry delivers interesting facts using his usual engaging style, but he certainly writes too short in length. The shortest scenes are around four to five sentences, which bugs me really much. It's like you're still munching on your food, then the following courses are shoved rapidly before you.
The Swan Thieves: I should have heeded the critics' warnings. Kostova did a wonderful job in her previous work, The Historian, so I thought I should give this one a go. Although the prose is superb, the storyline is too draggy: only when you reach the last 20% of the book, the pace picks up and the mystery unravels. It's like watching a Hokkien television series with hundreds of episodes: you're interested at the beginning, the middle bores you immensely, and you can't wait to reach the end.
Some movies I watched during the first quarter of 2012 and my comments on them:
In Time: You have to watch this in order to understand how mind-boggling the movie is. It's astounding how the writer created a futuristic yet believable story based on the concept of time as a currency.
Anonymous: This movie offers an alternative history to the origins of Shakespeare's works. I know for a fact that people still debate the true identity of the writer behind the plays, sonnets and poems that we collectively label as Shakespeare's works, but this movie is simply outrageous and crazy. Queen Elizabeth I is portrayed as promiscuous and brainless, blindly following her passions and her subordinates' suggestions. The cinematography and the casting are good enough, though.
