Wednesday, 30 December 2015

Some Book Reviews, 2015 (Part 2)

Us: In this story about a man trying to save his marriage by spending time with his wife and son on a grand tour of Europe, the author introduces flawed but vivid characters which the reader will grow to emphatise with. At times the novel reads like a travelogue (with bits of family drama and personal growth thrown in) where we're introduced to art, history and exotic places; at other times it's more serious and heavy with the narrator's pessimistic reflections on life. I understand now why some readers are disappointed by the author. When you've painted a masterpiece in careful, loving detail, you've effectively set a really high bar and people expect you to come up with something that supersedes your previous work. Which is what ardent fans of David Nicholls's "One Day" have been hoping for: another masterpiece. While the author offered startling insights into romance and missed opportunities in his previous novel, even breaking new grounds in storytelling, in the current one he turns his critical eye outwards and examines real-world issues like parenting in the modern day, empty-nest syndrome, technology, globalisation, etc. Some readers read fiction to escape from reality, and expect Nicholls to keep supplying melancholic accounts of lost loves, so they must be sorely disappointed in finding more reality than fiction in "Us". This book will not evoke much emotion, but will make you pause and think. What happens after the happily-ever-after fantasies, the vows and promises? What would you do when you and your other half are growing apart, distant? Is it possible to find a new life again, after your only/last child leaves for college? Assessed on its own merits, the novel does a fair job. While I was slightly disappointed at Nicholls's prose (not on the same high standard as in "One Day"), I found it readable, heartfelt and tender. The pace was okay, up till the climax of the narrative, then the last part of the novel felt hasty, as if the author had no more interest to write, wished to finish the manuscript and get on with life. Although the author worked within established frameworks and the development was somewhat predictable (no major twists), he was observant and at times hilarious with a dash of deadpan humour. He was quite good with braided narrative too: the shifting between past and present frames was handled well. Overall, it's an "okay" novel.

The Tower: Epidemic, religious fanatics, secret organisations, detectives - all these ingredients are well known in the thriller genre. What the author did well in this concluding part of a trilogy was to focus on the writing/storytelling. It was carefully constructed, with neat and crisp writing which was markedly different from the usual action-packed thrillers. Although in many ways the storyline was predictable, the author took great care to iron out the finer details in technology- and medical-related terms/concepts, to the point that some parts of the novel read like a manual/guidebook. Perhaps it was meant to be so, for it was dedicated to his son. I was thoroughly satisfied with Sanctus, the first part of the trilogy, and was disappointed with the let-down that was The Key. The Tower gave me mixed feelings. On the one hand, it redeemed The Key and saved the trilogy. On the other hand, its scope was far too broad, leaving some major questions unanswered and some characters in want of development. Because the author told the story through different characters and didn't linger long enough to develop each character, I didn't feel attached to any of them and wasn't really invested in the story (which felt more like a report than a piece of fiction).

Friday, 25 December 2015

Christmas 2015


It has come to a full circle, a year. Last Christmas was the final time I saw my grandma, since then I went through numerous life events and experiences. Somehow Christmas has become a personally meaningful day for me, not just someone's birthday, not just a commercialised holiday.

Merry Christmas to those of you who celebrate it!
For those who don't, it's a long weekend anyway, enjoy!
(Oh, we have a full moon today too, don't miss it)

Wednesday, 23 December 2015

What I've Been Up To

To really understand what I've been through in the year 2015, I must backtrack to December 13, 2014. I had just finished the last papers of my university life and attended prom a few days prior, so my spirits were high. On that Saturday, I got myself a new phone because the previous one went haywire. It was on that day too that I saw my grandmother for the second last time. We spent the evening and night with other relatives, trading updates on each other's life. I was trying to figure out which kind of job to apply for and what long-term life plans I might want. My grandma asked me when would I wear the mortarboard (for the umpteenth time) and I remember telling her "soon". 

Last December I also contemplated to end blogging once and for all, because I predicted (correctly) that I won't be sharing much on my blog after I enter the workforce. "A Parting Gift" was supposed to be my last to you readers. After that I decided to switch to Instagram, since my new phone is able to take higher, better resolution pictures. The timing was right too: my mum's birthday was around the corner, Christmas was coming and I was to go on a family trip on New Year's Day. Plenty of pictures to take and share. 

Christmas came and I, along with my parents, visited my grandma for the last time. I remember being upset because I was told off for wearing a dark shirt. Grandma didn't say anything about bad luck - it was okay for me to wear dark colours, if the shirt has pictures, words or designs on it. Something about safety, when I reasoned with myself later. Who knew this was to be our last exchange, but at that time I didn't care much. 

New Year's Day saw me high up in the air for the first time in my life, and I watched the sunrise out of the aircraft's window. There was so much to see, learn and experience during my Cambodia trip. For a while I took my mind off what lay ahead of me (work!) and enjoyed myself in good company.

Job-hunting started to be more serious after I came back from vacation. I got a few offers and I showed up for some of the interviews even though they weren't exactly down my alley. Around the same time my university was organising a flood relief effort over in the east coast. I signed up immediately, knowing that I could put my time to good use and let's face it, it would look better on my résumé. 

I made some new friends (or acquaintances, I think it's more accurate), learned about life in a different part of my country and gained some new knowledge about myself while doing volunteering work. There was this feeling of "oh if only I had done this more often, and earlier", accompanied by thoughts along the lines of "so this was what I missed out" and "how different my life would be if I'd been more outgoing". I'm not going into details here, partly because I don't remember most of them and besides, some memories are best left unshared.

I visited the 1600 Pandas World Tour on the same day I got the shortest haircut of my life - the #2 haircut. The papier-mâché pandas were cute, but it was my own almost bald head that made me laugh. Friends and family asked me about it; I gave different explanations each time: "trying out a new style", "treating a minor hair loss problem", "going for a temporary ordination" and once, just for the fun of it, "getting into national service". Ladies and gentlemen, the truth was I made a slip of the tongue when the barber asked me what was I going for. I wanted the sides of my head to be shaven shorter than the other parts of my head, but the barber misheard. He did double-confirm with me, but I misunderstood him and nodded my head when I ought to shook it. I had a good laugh about it when I saw myself in the mirror. Little did I know, in another part of the world, a cousin of mine also had his head of hair shaved, more severely than mine. The next I met him was at my grandma's funeral.



The day of my grandma's passing started ordinarily enough for me. I fetched my sister to school and then went for a jog in the park. In preparation of the coming lunar new year, I spent the morning and noon putting a fresh coat of paint on the gates of our residence. Late in the afternoon, while I was watering the plants and soaking myself in the warm sun, the news came. Everything was a blur but I had to think straight for the sake of my mother. I drove her over to grandma's and said my last goodbyes.

I rarely wear white, only when it is required of me, like on my grandma's funeral. My grief was long in coming, and when it arrived, it overstayed its welcome. My birthday was a few days after the funeral, right at the beginning of Chinese New Year. I didn't know how to feel or what to do. My family organised a get-together with relatives from my mum's side, and the dinner was fine, just that some things somebody said cut at me. I changed my Facebook profile picture to the one I selected weeks before, taken in Cambodia. I originally planned to quote Taylor Swift's lyrics, something about feeling 22, but decided against it in light of what transpired. I also made the pic black-and-white, so much for the taboos.

My job-hunting continued without much success, even though I had a wonderful time interning at a clothing company and almost got accepted. Almost. Meanwhile, my course mates were talking about graduation. I was going to wear a mortarboard, after all, but "soon" was not soon enough. I didn't prepare much for the convocation, except for renting the robes and getting the necessary paperwork done at my university. Who knew my grandma's passing would change the way I feel about graduation. Before, it seemed to take forever to come. Now, it was just a formality, not the milestone I thought it would be. 


May and June found me stressful and fidgety. Half a year had passed and still I was unemployed. Was I picky? Was it the economy? Speaking of the economy, I couldn't believe I was still entitled to have book vouchers from the education ministry, even after I graduated. I asked around and found out that the ministry was distributing vouchers according to last December's student list. No harm done, I could use some books myself.

More changes were coming. My neighbour moved out and another chapter in my life closed. When we were younger we used to play together often, now we grew apart, lived apart. The trees which I was so proud of - along the streets close to my neighbourhood - were cut down unceremoniously to make way for a new tolled expressway. Traffic was getting bad around my area, so driving figured prominently in my job search. I had to look for a job which allows me to travel by public transportation, and I succeeded in finding it, ending my anxiety about joblessness. 

Although my boss and colleagues were open-minded people, I had to hide the fact that I attended the rally on the eve of National Day from them. I didn't know whether I could trust them and I was still on probation, so playing safe was my concern. Twice I went to the rally, on the same day, despite the rain and fear of a lockdown in the city. It was a good experience. YOLO.

September, October and November plodded along. I was trying to adjust to the demands of my job. There was so much to be learnt and there was a lot of growing up to do. I have to set rules for myself and review my moral compass from time to time in the very real world where everyone is out for themselves. I have to manage my time well and keep my expenses in check, now that I have this thing called salary. I have to be kind to myself and find ways to guard my heart. I have to be careful what information I feed to my brain, else it would find something to chew, like the past. I have to reconcile my past and present selves, and figure out what my future self will need. Et cetera. Now that I've left the protective enclave of academia and joined the society, I'm beginning to understand why people change and why they lose themselves.

~.~.~.~.~.~ 

It's December again. I like December - people are nicer, pace is slower. I remember my younger years, when during the long holidays, my grandma would come over and babysit for my parents while they went on long trips. After she became incapacitated, I made it a point to visit her every December. Sometimes she was sweet and would regale me and my siblings with colourful stories from her past. Other times when she was in bad mood, she would recount all the wrongs that were done to her. In any case, I would still listen to whatever she had to say, because don't we all need an outlet for expressing ourselves? 

Which brings me to the next point: I won't stop blogging. It's the only platform I find suitable to my needs. I might not blog weekly, like I used to way back when, but I would try to write something if I'm so inclined/inspired.

Saturday, 12 December 2015

Tell Me, Tell Me All About It

Tell me, where did you get your hair done? You look like a Roman god or Greek goddess. How do you keep them all coiffure and curls tumbling so artfully yet so naturally? You must have put a lot of thought and effort into it.

Tell me, how did you develop your sense of style? How do you know which shirt pairs with which pants and which shoes? I see that your sneakers still retain their original colours. How do you maintain them? I cannot trust myself to wear such shoes out for the whole day!

Tell me, which genre of songs do you listen to? Which songs, which artistes? You have your headphones on, full blast. Are you trying to tamp down your thoughts, avoid them maybe?

Tell me, are you left-handed? I see that you wear your watch on your right wrist - a fine timepiece, by the way, where'd you get it?

Tell me, where did you pick up those little quirks of body language? You've crossed your arms. Are you cold, or being defensive?

Tell me, what's on your mind right now? You seem to be deep in thought. Why is there a crease between your brows?

Tell me, are you tired of being alone too? I see that you're looking around, looking outside the window, looking at me. Tell me, if you've had enough of travelling alone.

Tell me, if you'd like to speak to another soul.

Tell me, if you're craving for human connection.

Tell me, if you're feeling the same way as I do, too.

* * *

Dari mana hendak ke mana?
Tinggi rumput dari padi.
Tahun mana bulan yang mana,
Hendak kita berjumpa lagi?


Monday, 7 December 2015

Future Vintage

Finally got my hands on "25"! A worthy investment :p

Sunday, 27 September 2015

浅尝深悟

即溶或特调,终究是咖啡。
拿起或放下,转念就解脱。
中秋节快乐!


Saturday, 26 September 2015

亏欠

亏欠是一种不平等的情况,
也是一种负面的情绪。
假设甲方因某事有愧于乙方,
觉得亏待了乙方或让乙方蒙受伤害,
一般上甲方都会做些非寻常的动作。

譬如,甲方跟乙方相处时,
低声下气,遣词特别小心和客气。
甲方要么讲笑话缓和紧张气氛,
要么和乙方聊一些无关紧要的话题。
凡事都那么的小心翼翼,好像要绕过地雷。
甲方态度卑微,一来想弥补对乙方造成的损失,
二来想减缓自己的愧疚感。

乙方收到甲方的诸多“善意”,
应该做出什么反应?
得到好处的乙方虽然会觉得好一些,
但是久而久之,乙方要么自己感到亏欠,
要么就变本加厉不要脸地捞好处。
乙方可能为了让甲方放心而试图压抑情绪,
强颜欢笑假装一切如常,不当一回事。
(乙方情绪不经处理不得舒展,迟早会抑郁成疾。)
抑或,乙方“占上风”,转而利用甲方的亏欠感,
从对方榨取好处和小便宜什么的。

亏欠,看似需要额外的付出来平衡双方的不平等,
可是状况一旦持续太久,
一味的付出只会拉阔两方的权利差距。
这终究是一种不健康的关系,
因为亏欠别人的一方做的每件事只为补偿,
总是忽略本身的利益,损失不少。

纵观亏欠,其实它并非毫无建设性。
亏欠的好处在于它给我们一个反思的机会,
避免自己重蹈覆辙,想想下一次
有类似的状况的话,我们应该要怎样待人处事。
能够再圆滑吗?
能够从中吸取教训吗?

换个角度想想,我们不必过于计较,
谁亏欠谁这一帐根本找不到起点。
在每段关系里你我都是债主兼债户,
都在玩着跷跷板。

Monday, 21 September 2015

再也找不回那种感觉了

“阳光和煦,绿叶葱葱,暖风徐徐……”

曾经,这世界是个刚认识的朋友,
活生生地站在你面前,伸出手。
你对世界有多好奇啊,看你眼睛发亮的。
五官期待着时时处处都会有的新体会。
你的双眼轻易辨出颜色、线条、轮廓、明暗。
空气中的味道、手指下传来的触感 ——
你为之感叹,欲求未满,奋力探索。

而今,什么形式的喜怒哀乐你都经历过了。
往后只能遇到拙劣的副本,不再惊喜。
“哦,是喔” 成了你习惯的用语。

这世界是不是黯淡了?
怎么你之前没发觉四周的行尸走肉
和死灰似的眼神?
Muted colours, ghostly eyes。

熟悉的味道、原来的感觉和温度
全都消失了,毫无预感的。
莫非这是成长的代价?
在累积一定的经验和扩阔视野的同时,
以物易物般地交出自身的青涩与回忆?
时过境迁,人走茶凉?

曾经,未来值得你憧憬,
是一片你未踏足的绿野,
所以你一股傻劲付诸一切拼搏,
为的就是赢得你理想的生活。
现在,你对未来有了新的认知,
不再天真不再幻想。
梦想?葬了它呗。
焦虑、不安、茫然、心淡——
来,选你的每日例汤吧。

我们从新来过,好不?
不是想改变什么,
只求真正活一遍。

Sunday, 19 July 2015

《海岸》

1.
海浪一波一波從我的身體內
洶湧
翻捲上漆黑的瞳孔
 
然後
  
散落成幾朵流雲
悠悠,從我的歲月裡,飄然
遠去
 
2.
岸上的腳印,貯滿月光
說要去旅行了
 
空曠的心
獨守著黑夜的來臨
 
星辰呢?
 
遠方黑暗裡的潮浪
有魚,絮嗦
一片白亮如星光的泡沫
 
3.
霧開在礁石裡
說了一生浪花的故事
 
海馬拓印的愛情
曾被晚歸的三兩盞漁火點亮
 
有小孩在岸上奔跑
尖叫
雨很快就追來
 
潮水漲了
我在自己的詩裡坐成了孤島
 
4.
時間被海鳥穿透,荒蕪的
浪聲,把日子讀成寂寞
 
空氣裡的鹽分,喚醒
淚水,以及 
身體內澎湃的大海
 
光陰走遠了,記憶
還留在哪裡
瘦成風,等待被風吹走
 
5.
魚骨開張如葉子
咬住細沙裡最深沉的慾望
夢走過
有月亮從海上昇起
 
而岸太長了,眺望
太短
詩句丈量的潮聲
找不回
腳印留下的黃昏
 
那交給松煙去敘說吧
 
人散後
寂靜,坐成了無邊的宇宙
 
6.
一支演唱隊走向波浪的
波浪,把海鷗
唱成
荒涼的落日
 
耳朵匿藏於冥思之後
向空無
探聽,曠野中一顆露珠
晃動
透明的心
 
死亡在沙穴裡寄居
蟹已離走
 
7.
剪下鷗影
浪尖上剩下飛翔的詩句
拍翅
扶搖而上九萬里
 
俯視,海面如鏡
照亮湛藍的天空和晝夜的
倒影
 
倒影中,妳在
梳頭,梳一個小小的辮子
並將歲月打結
編成了沙岸上長長的離愁
 
8.
海豚衝出了夢境,在空中
與時間
交換了一個詞
 
遼闊啊
 
季節遞嬗於海的舌頭之上
船消失
在波動的語言裡
 
生與死
在此,靜謐如禪定的肉身
 
9.
松果掉落,陽光澎湃於虛無之
無聲,水母發亮
穿過了詩句
擱淺在童年的眼眶
 
留在沙灘上的腳印都不會回來了
老去的風,死去的浪
散落如
一地凌亂的松針
 
有人燃起篝火,畫上光年
以沙漏
書寫,一生的
冷眼,一世的天地人間
 
10.
大風如洗,把髮吹散了
把浪吹成花
把人影吹向遠岸
 
把鯤吹成大鵬
吹起莊子的笑聲,如潮起
潮落,就三千年了
 
三千年躺成一片沙岸
讓詩走過
 
再三千年,雲煙聚散
誰來知我?

【星洲日報/文藝春秋 ‧ 文:辛金順】

Friday, 26 June 2015

Wanderers


Oh, no, I'm not posting something emo. 
Don't let that snapshot of a night sky fool you. 
Notice those two bright flecks?
For the past couple of nights 
I've admired their simple, beautiful presence.
They filled me with such awe.
They are not stars, but planets:
Venus and Jupiter are their names.

Friday, 12 June 2015

Some Book Reviews, 2015 (Part 1)

Thinking, Fast and Slow: Any psychologist worth their salt would have recognised Kahneman, the author of this compelling book on cognitive processing and biases. While there is a logical flow of ideas organised by sections and chapters, I think Kahneman made quite an abrupt turn when he brought in the last third of the book. His style is clear and coherent, but unless one is proficient in English one would have a difficult time unraveling his rather complex sentences. Perhaps this can be attributed to his years spent in researching, writing and publishing articles that were consumed by fellow researchers, psychologists and economists, rather than the public. I appreciate that Kahneman tried to dial it down a few notches by using plain English and offering some everyday examples of how the psychology concepts introduced in the book could be applied in real life. Yet it is difficult for me to sustain my interest in reading this book, which is a cross between a textbook and a pop magazine.

Quiet: The Power of Introverts in a World That Can't Stop Talking: This book is a treatise on introversion, arranged carefully into chapters. The style combines formal academic work and storytelling typically found in fiction. Clearly the subject is very near and dear to the author's heart, and it shows. A labour of love, wherein the author invested significant time and effort into arranging arguments for introversion. From how it came to be, to how it has been diagnosed, to how one could harness this personality trait. One thing of note is being introverted/quiet is different from being shy - a distinction that most of the public and many scholars fail to grasp. Of course, as with any piece of academic research, there are bound to be areas of weaknesses/improvement. I saw the lack of arguments against introversion a striking gap. If they were included, and the author had found ways to refute or at least provide alternative explanations, then it would balance out the bulk of examples painting introversion in a golden light. To be fair, the author has highlighted a few instances where introversion works against people who have this trait (i.e., put them at a disadvantage). However, there weren't many examples and the author briefly, half-heartedly touched on them before quickly resuming her point that it's time for the world to stop discriminating against introverted individuals.

Eleanor & Park: There's something appealing about this romantic story involving the titular characters, even though the prose isn't the best and grammar rules aren't followed at all. Reading the narrative is like following two trains of thoughts - those of Eleanor's and Park's - that converge briefly before going separate ways again. One is forcefully reminded of one's growing pains as an adolescent: the vulnerabilities and insecurities, the raw emotions that run unchecked, as well as the egocentric belief that one is understood by none. The author doesn't mince words when she weaves the threads of domestic violence, school bullying and first love into a brutally honest tapestry of human suffering. A quote from the book would be illustrative: "Eleanor was right. She never looked nice. She looked like art, and art wasn't supposed to look nice; it was supposed to make you feel something." Although the story is composed of short, simple and grammatically problematic sentences that don't even pretend to be of high literature, this formula seems to work well because the author is able to draw empathy from the reader through her liberal appeals to the heart, rather than the mind. If you are one who feels everything so very deeply, this one's for you.

Pride and Prejudice: I can't believe I'm saying this, but this novel was riveting. It made good use of its title, explaining how both pride and prejudice tainted the way the characters saw the world (and each other). The male lead was thought to be proud, while the female lead was prejudiced against him. In it there were explorations into the different kinds of love. Very family-based, not so much on romantic love until the very end. Perhaps in late 1700's/early 1800's, individualistic values have not surfaced yet. The bulk of the novel is composed of long, structurally complex sentences which necessitates slow, close and careful reading. I had to hold the first part of a sentence in short-term memory as I read on, and to comprehend the entire sentence I must piece together the first and second parts. It seemed to me that the author beat around the bush, and that miscommunication mainly drove the plot forward. What made a very strong impression on me, though, was the sibling relationship/sisterhood between the female lead and her elder sister.

Wuthering Heights: The author threw all decorum out of the window and introduced characters that were in every way very detestable, had no manners and were quick to resort to violence. None of that Victorian propriety befitting ladies and gentlemen of her own era, or common civility among humans. Nearly all her characters behaved like beasts, hurting each other physically and psychologically, and the narrators were far from trustworthy. Small wonder this novel hasn't received as huge acclaim in the modern day as say, Jane Eyre or Pride and Prejudice. The author wrote it in such a way that discouraged the reader from connecting with her characters. In all fairness, though, the author did touch upon heavy topics like racism, discrimination and the effect of environment in shaping an individual's personality. She stabbed at fantasies like elopement, all-consuming love/infatuation and happily-ever-after, portraying realistic alternative responses as well as brutal consequences of one's supposed romantic action. The whole novel was anti-social and of course, there was no happy ending. It was a rather startling, slap-in-your-face kind of break from the usual romance that you'd expect from a Victorian novelist. If I were to preface the book with anything, I'd borrow the following verse from Philip Larkin: "Man hands on misery to man / It deepens like a coastal shelf / Get out as early as you can / And don’t have any kids yourself."

Persuasion: Compared to Pride and Prejudice, Persuasion is more mature and the author's prose has improved. At least, the sentences aren't too chunky and could be easily understood. However, Persuasion is not as ground-breaking and brilliant as Pride and Prejudice. The story's pace plods along, and the front chapters are tiresome/boring because nothing really happens. Once it gets to the last few chapters though, a burst of flavours emerges where the protagonists' romance finally blossoms. That said, it didn't give me that satisfaction even though the lead characters end up  being together.

Station Eleven: My attention was attracted by the synopsis of this post-apocalyptic tale and the cover image of glowing tents beneath a starlit sky, when I first knew about its existence. Many writers have trodden the beaten path of dystopian horror containing strange beings/monsters like vampires, zombies and the such. Most of them ended up predictable, bland and tiresome. Now, this particular author used a different way of narrating a world where human civilization has collapsed. She made her world as real as possible, without ostentatious fireworks of big-scale damage. I hate to say this but some Canadian stereotypes (the author is Canadian by birth) have found their way into the novel (well, mostly in the beginning). In some ways it's refreshing to read a non-UK/US author: the feeling's like finally, a break from the same literary tropes and plot devices. In other ways it's befuddling to read this novel because there is no climax, no recognisable structure that I was expecting. It got me thinking: "okay, all that leading up to what?" I scratched my head wondering whether I wasted my time following the developments of the narrative or the author had just pulled some sort of masterful trick. I believe it's the former.

The Magician's Land: The author's strength as a storyteller shines, and having read all the books in the trilogy, I can confidently say that this one's the best piece. His prose is pure and fluid, so beautiful that it keeps you reading. Compared to the previous two installments, there are no grand illustrations of magic herein, nothing new that would excite the reader and certainly fewer instances of homage to Rowling, Tolkien and Lewis. However, the author did tie up loose ends/minor plot points from earlier and then wrap up the whole narrative neatly. There is an almost surgical precision to his way of developing the narrative in this book.

On the Road: Set in the late 1940's, Kerouac's autobiography/fiction tells about the road trips taken by Salvatore (Sal) Paradise and his best friend Dean Moriarty, focusing on the people and places they encountered while being on the road, off the road and at the end of the road. I find that Dean is the driving force behind the narrative: without Dean there wouldn't be any trips. Not because Sal couldn't drive a car, but he lacks the passion, energy and curious wonder that Dean displays. Dean is Sherlock to Sal's Watson. Dean observes and presents grand philosophical soliloquies, while moving the characters around and getting them do things. Kerouac uses a lot of verbs in the narrative and he's good at describing actions, more so than writing about sceneries or people's psychologies. I particularly like how he writes about people making music and also about Dean manoeuvring vehicles. However, this focus on behaviours, actions and outer displays leaves the reader in wonder of the characters' personality and motivations. I figured out pretty early that Sal is introverted, Dean is extroverted (wildly so), and that Dean is reckless, irresponsible and doesn't care about others. For all his fascination about people and humanity, Dean doesn't overtly show that he cares about his wives and children. Then again Kerouac might have intended Dean to be so, because Dean grew up without a father and thus hadn't learnt how to be one. That aside, there are some things about Kerouac's writing that put me off: lack of proper paragraphs and proper character introduction. He writes in an off-handed manner, as if he's gossiping, and characters pop up out of nowhere, fade into background and resurface suddenly. There are redundant sentences as well, where he summarises a scene and then when I thought he would move on to the next, he elaborates on that scene. The paragraphs are long and contain many main ideas - difficult to follow and honestly, this didn't excite me nor sustain my interest in reading it (but persevere I did).

The Silkworm: This is the second book in a series of detective novels published by J.K. Rowling under the pseudonym "Robert Galbraith". I've read her Harry Potter series from cover to cover, and it's reassuring to find traces of her old characters and writing style in The Cuckoo's Calling and The Silkworm. If she'd been holding herself back in the children fantasy series, in this whodunit series she unleashed the full force of her writing. I like the way she re-introduced her protagonists Comorran Strike and his assistant Robin Ellacotte, giving them more depth by embellishing their back stories. Their trains of thought were shown as they went about solving a murder mystery. I detected a bit of Christie and Doyle in the way Rowling conceal important clues in plain sight (innocent and innocuous they might seem), then reveal in a grand flourish the killer in the final few chapters. Apart from that, I find that Rowling has a vast, deep vocabulary as she was able to put to words those things in life that we encounter or feel but don't know how to describe. I shudder to think what was going through Rowling's mind as she put in grisly, bloody bits into the novel. Brilliant but also twisted. The pace is just right, enough of mystery and curiosity, enough of action to keep the reader's interest. In fact, I like how the chapters were organised: they generally ended with the point-of-view character leaving, going to sleep or finishing something in one way or another. Neat. The story is grounded in reality even as the turn of events got more bizarre. Some examples would be: Strike simultaneously pursues cases other than the main one to pay bills; Strike keeps tabs on his expenses like taxi rides and pub lunches so that he won't go broke. The concluding paragraph that served as the novel's ending was a lovely surprise.

Saturday, 23 May 2015

100


谨献给我的外婆——
您最爱的绣球花长得茂盛,花开得特别多。
我学有所成,戴上了您盼望已久的四方帽。
只可惜这些都是在您走了之后才发生的事。
一百日了,我依然念着您。


 

Sunday, 26 April 2015

Variations on the Same Theme

As I fumbled around trying to put on my robe and mortar board "the right way" an hour before the ceremonies began, I almost regretted my decision to attend convocation. I would still get the certificate without going through the pomp and splendour hassle of the graduation ceremony, but my mother had been looking forward to it with an earnestness that eclipsed my own. Hence there I was in the midst of hundreds of other graduands, their families and friends, groggy-eyed and slightly irritable, when I could have slept a few more hours instead.

I had envisaged last year's prom as the perfect ending to my four years in university, so I spent more time and effort in preparing for it than for my convocation. I hadn't even researched anything about the venue, the routes leading to it or any other detail like weather and alternative transportation, before I arrived at the place where a chapter of my life would close. I hadn't paid much attention to the ceremony and remembered only how bored I was. You might say I'm the kind of person who can sit still, but for three consecutive hours? No way. I texted with my mum and she said she desired to take some photos outside the hall because it was not as crowded as before. I knew the rules were strict - all graduands must remain seated throughout the ceremony except when going onstage to take their scroll - but the girl on my left went out and came back unscathed so I thought, screw this. I walked out with my head held high, like nobody's business, and called my parents to come out quick.

An usher saw me posing in front of a marble wall and reminded me with his tone raised that I would miss the group photography session unless I went back in promptly. Immensely pissed, I separated with my parents and trudged back in. I sat fuming and couldn't care less about giving applause when my fellow graduands appeared onstage. This was exactly why I hated this kind of events, why I didn't want to attend it if I had a choice. The decorum, the rules, the pageantry, the pretentiousness of it all! Of course I understand that certain behaviours are expected of me, but still... Hounding me for every last detail, and for what? 

Rousing rounds of applause were heard after the academic procession exited the hall at the ceremony's much-awaited conclusion. Professional photographers were engaged to take group pictures (we had no say in the matter). It was heartening to see some of my lecturers coming back in just to bid farewell or take photos. I smiled at some of them and ignored some others. 

Once outside the hall, I met with more friends from different intakes and faculties. Smiles, handshakes and brief attempts at conversation flowed naturally all around. I think I went autopilot and did my best at hiding my exhaustion. I trailed behind my mum floor after floor looking for my cousin who coincidentally was also present. He has a few friends who were graduating today as well. It was not the best sensation in the world, covering so much floorspace in four layers and a bouquet in my arm, just to find my cousin and take photos with him. By the time my parents and cousin left, I had a sizeable collection of photographs and my shirt was noticeably soaked with sweat. It still wasn't over yet.

In the gardens, my close friends and I threw caution - and our mortar boards - to the wind by taking wacky shots of ourselves. Someone looking out from inside the hotel would've thought us deranged and unhinged. Oh what fun. It's with them that I found my entire university experience slightly more tolerable. These little things and small moments matter more to me than the overrated ceremony and the obnoxious usher. Sure, I didn't want to come. True, I hated being there. Yet, as I parted with my friends - who knows when will we meet again - I couldn't help but feel grateful for having known them, for having our paths crossed, however briefly. I didn't feel any heavy-heartedness at this yet another separation, probably because I have went through so many separations and reunions that I see them all as variations of the same theme - the theme of life being, after all, an act of letting go. Bit by bit, slowly but surely.

It's said that we will regret the things we didn't do more than the things we did. On my train ride home, I encountered some boisterous boys, no doubt heading to their basketball game, judging by their attire. If there were parallel universes, I wonder whether there would be an athletic version of me. All the possible pasts and futures lay out infinitely, accessible through the words "what if". It's a bummer that there were things that went wrong on this big day, this grand finale, but suppose I skipped my own convocation? What will I think, a few years down the road?

Sunday, 29 March 2015

In Memoriam Lee Kuan Yew


He wept for a nation 50 years ago. 
50 years later the nation weeps for him.


In the wake of Mr Lee Kuan Yew's passing, there has been a flurry of obituaries and messages of condolence (not to mention criticisms and hate messages) for the founder and architect of modern Singapore. Some people genuinely felt what they said while others merely jumped on the bandwagon (I knew because I was one of the latter). Either way, what I spotted were the overuse of adjectives, overplay of emotions and lack of factual support. For all I know, I might've been reading codes and riddles tagged with #rememberingLKY #thankyouLKY #noYewnous #sg50

Curious, I researched about and read up on Mr Lee, ending up writing a piece on him myself. I hesitated between posting it today (the day he'll be laid to rest) and leaving it in the drafts folder to ferment. On the one hand, it captured some angles missed by other columnists and pseudo-experts. On the other hand, I thought, why bother? I'm not related to Mr Lee. I'm not his biographer. Heck, I'm not even Singaporean. There's already a burgenoning niche in publishing dedicated to studying him and his life's work, so it's not necessary to add mine to the pile. Plus, even if I put up my piece, who knows I might get a slap on the wrist or face the full weight of the law? 

Nevertheless, the demise of the giant calls for a few words in his memory. I don't fancy his style of cut-and-dried, choppy and laconic sentences, but I'll make an exception here and just keep it simple:

Rest in peace, Mr Lee Kuan Yew. You left Singapore in a better state than you found it. There will never be another person quite like you. You will be remembered, always.

"Come, it's time to go."
Artwork © Ashley Virgilious Leong

Here's a Whitman classic that I think is fitting for the occasion (it's a wonder no one has used this gem as a tribute to LKY):

O Captain! My Captain! our fearful trip is done;
The ship has weather'd every rack, the prize we sought is won;

The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring:
   But O heart! heart! heart!
      O the bleeding drops of red,
        Where on the deck my Captain lies,
          Fallen cold and dead.

O Captain! My Captain! rise up and hear the bells;
Rise up—for you the flag is flung—for you the bugle trills;
For you bouquets and ribbon'd wreaths—for you the shores a-crowding;
For you they call, the swaying mass, their eager faces turning;
    Here captain! dear father!
      This arm beneath your head;
        It is some dream that on the deck,
          You've fallen cold and dead.

My Captain does not answer, his lips are pale and still;
My father does not feel my arm, he has no pulse nor will;
The ship is anchor'd safe and sound, its voyage closed and done;
From fearful trip, the victor ship, comes in with object won;
    Exult, O shores, and ring, O bells!
      But I, with mournful tread,
        Walk the deck my captain lies,
          Fallen cold and dead.


Friday, 13 March 2015

Kill Me, Heal Me

[ Spoiler Alert!: Don't read any further if you hate spoilers. ] 

Pic credits: MBC

When I first saw a poster for the drama, "Kill Me, Heal Me", I thought it was Joo Won (from "Good Doctor") and naturally I sampled the first episode. The drama started out fairly strong by laying a solid groundwork: third-generation rich guy, mental illness, family feud and a hidden past. All explained within a few flashbacks using photographs and newspaper clippings.

To be honest, I wasn't persuaded (at first) by Ji Sung's portrayal of our male lead and I kept wondering why his hair was styled like a Japanese. His age definitely showed, and I thought the producers/directors were taking a risk casting an older and not-so-conventionally-good-looking actor in this drama. (Oh, how wrong I was, and how my opinions have changed since episode 1!) However, Ji Sung was set to portray seven different characters spawn out of his main role Cha Do-hyun's dissociative identity disorder (DID, commonly known as multiple personality disorder). I realised that the drama could play with different genres using DID as its framework, so based on this potential I watched a little more. Then Hwang Jung-eum made her grand entrance as Oh Ri-jin: energetic, mad, crazy! She stole the show and that was when I decided to continue watching the drama.

What I liked about the drama:

Pic credits: MBC

  • Cha Do-hyun, Oh Ri-jin and Oh Ri-on. Can we please have some applause for the actors and actress who played these three (or nine) characters? What doubts I had earlier (for casting Ji Sung) now turned into admiration of his acting skills and his abandon of his image. Whether taking on the roles of bad boy Se-gi, fangirl Yoo-na, suicidal teenager Yoo-seob or middle-aged bomb expert Perry, Ji Sung executed them all flawlessly. His facial expression, the look in his eyes and his body language changed for each character, making him more convincing than just a simple swap of clothing, makeup and hairstyle. Hwang Jung-eum did a great job as well, playing a sassy and strong woman with sporadic moments of quiet contemplation. One could laugh, cry and root for her. Ri-on was originally playful and funny, but he became more serious and protective of his sister as the story went on. The chemistry between Do-hyun and Ri-jin, as well as the playful yet trusting relationship between Ri-jin and Ri-on were highlights of the drama.
  • Minimal use of background music. If you have watched enough Korean dramas, you would know that they usually would incorporate a long list of songs by various artists from the Korean music industry. Sometimes these lyrical music fit with the story and the particular scene, but most of the times I find them distracting: am I to pay attention to the lyrics or the dialogue/scene? In "Kill Me, Heal Me," there weren't too many lyrical music and they were suitably placed, making it just nice to follow the story. I was also glad that there were short, scene-matching tunes in the drama that brought out specific moods: playful, funny, sad or serious...
  • Scattered puzzle pieces that finally fit together. The scriptwriter masterfully created the Shin Se-gi character, an amalgam of Do-hyun's father, Do-hyun's darker side and Do-hyun's splintered self. Do-hyun's granny was an enigma from the start, just like the Queen Dowager from "Moon Embracing the Sun" (coincidentally...or not, both characters were played by actress Kim Young-ae). Se-gi and Do-hyun's granny were interesting characters to watch because they evolved from being mere antagonists to being key pieces in solving the birth secret.

What I disliked about the drama:

Pic credits: MBC

  • Unequal time for supporting characters and their under-development. In the beginning of the drama, almost all characters were given some screen time so we could see who they were, where their place in the story was and how they could develop. However, as DID and our main characters took centre stage halfway through the drama, it was as if the supporting cast was neglected. Their character development became stagnant, and questions popped up in my mind. Did Ri-on's parents worry about her step-daughter? If so, what were the issues? What about the grandmother? What was she planning? What dilemma was she in? The antagonists appeared paper-thin weak because they were not given much development. I would have loved to see more of their cunning, evil plotting. Besides, the love triangle between Ri-jin, Ri-on and Do-hyun, while creative and refreshing, did not give enough air time for Ri-on to tell his side of the story until the end of the drama where it was hastily recounted in short dialogues and flashbacks.
  • Switching scenes and changing times. I don't know if anyone else has noticed this peculiar detail, but it bugged me that there were times when one scene switched to another, for instance in telephone conversations where we were alternately shown the caller's and receiver's perspectives, the time of the day seemed inconsistent. Like it would be super bright in one scene, but nightfall in the other. The characters were in the same time zone!
  • Pace of the story. The drama started off with a bang, then fizzled out, only to pick up steam again. Towards the middle of the story, the pace slowed down and was dragging its feet. Repetitive and redundant flashbacks were shown without much progress to the story. I thought the last few episodes were heavy with details, as if the scriptwriter rushed to explain everything and unveil the past at last. It would be better if hints of childhood trauma,  the core of the story, were dropped earlier on and laid out inconspicuously.
  • Ri-jin's downfall. Ri-jin was originally a bright, sunny and helpful person. In school she scored the top grades and she made it to psychiatry school (at one time she was going for further studies at Johns Hopkins!) However, her doctor/patient relationship with Do-hyun, which later morphed into a painful romantic entanglement, seemed to have diminished her into a teary mess and a damsel in distress. It was a rather disappointing turn of character development because I thought she would have the resources and strength to face her dark past, seeing as she was so fiery and combative in the beginning of the drama.

Thoughts:

Pic credits: MBC

  • I like the fact that the Korean television drama industry has taken up mental illness (a taboo subject in Asian countries), dissected it and made it understandable to the layperson. From "Good Doctor" (Asperger's syndrome/autism) to "It's OK, It's Love" (obsessive-compulsive disorder, schizophrenia, Tourette syndrome) to "Kill Me, Heal Me" as well as "Hyde, Jekyll, Me" (dissociative identity disorder, or DID), there were scriptwriters and actors who were willing to handle this sensitive topic and venture into an uncharted territory in television drama. However, they differed in how they presented mental disorders and how accurate their portrayal was. So far, mental disorders have been over-dramatised and limited to characters coming from high socioeconomic status group (the chaebols). Do-hyun, in "Kill Me, Heal Me", had six other identities/self-states. Six! How could he still be alive and functioning? I don't think I've ever read any real-life cases like this. Totally blown out of proportion, but I understand it was for entertainment purposes. It took guts (and skills) to treat such a heavy topic in a light-handed yet convincing way. Over-dramatised, yes, but still believable, because there was a plot, chemistry between the leads and top-notch acting chops.
  • I was somewhat disappointed that the cast and crew didn't fully utilise DID. It could potentially reinvent the way Korean drama is narrated. For far too long, television dramas have been sorted neatly into categories: romance, comedy, medical, action, etc. With DID, one could spin and twist a "normal" story so many different ways, doing away with conventional storytelling. Perhaps it was too much of an expectation for one of the first Korean dramas dealing with DID. Furthermore, it seemed to me that "Kill Me, Heal Me" dealt more with healing (and the attendant struggles) than with family feud or love triangles. Who knows, in the future other people might take up DID as a storytelling device and use it in ingenious ways.
  • Childhood experiences and children's upbringing formed a major part of this drama. Although both Do-hyun and Ri-jin psychologically suffered from child abuse, their experiences after the fire were drastically different, leading to the formation of their current outlook in life and personality. Do-hyun lived in regret, guilt and self-condemnation since surviving the fire. He battled with DID for many years and had few friends due to the disruptive nature of DID. This alienation from family and friends no doubt sustained, if not worsened, his disorder. In contrast, Ri-jin, who was physically and psychologically maltreated by Do-hyun's father, started anew after the fire. She was raised by her step-family in a loving and supportive environment, which was beneficial to her healing. Most of us overlook just how powerful our past experiences were in shaping who we are today. I think this drama would send a message to parents about the importance of providing their children with a nurturing yet structured environment. 
  • I now realised that there is a common pattern in Korean dramas (excluding makjangs): when a sad scene is shown where you get to see the lead characters cry their lungs out, the next scene will be funny, or at least lighthearted. I saw this combination in "The Heirs," in that scene where Choi Young-do was told to put his phone and his eyebrows down. I think it was intended to cheer the audience up, after watching some pitifully saddening turn of events in the main characters' love life. I didn't understand the rationale for sad scenes segueing into awkwardly funny scenes, but I began to appreciate this combo in "Kill Me, Heal Me." The bulk of the drama was focused on opening old wounds and moving on tentatively to healing, which can be an emotionally draining experience for the audience. Having some mad, crazy and funny moments balances out the negativity and gloom. After all, isn't life a composition of light and shadows?
  • Rating: four out of five stars. In my opinion, "Kill Me, Heal Me" was a good drama, with an interesting premise and strong cast (at least, for the leads), but it was still lacking in some key areas like character development of supporting cast and story pace.

    Thursday, 5 March 2015

    Last Day of CNY 2015

    Losing my maternal grandmother exactly one week before this year's Lunar New Year was a peculiar experience. Still is. You might think that since I've studied psychology, I would know how to deal with grief and loss, but there really is a wide gap between theory and practice. Take the Five Stages of Grief, for example. I didn't experience it by stages - sometimes the feelings just knocked me down out of the blue without giving me any time to identify what they were. Throw into the mix the confusion of Chinese New Year taboos for someone who's mourning: should I refrain from celebrating? Should I wear all black? 

    We've been told to wear any colour except red. I thought wearing black was too extreme, so I chose white, blue and pale yellow as my palette this year. My family and I limited our house visits to our own extended family. I just went with the flow: talking, smiling, joking, playing cards, eating, drinking. I figured that I would be disrespectful to my relatives if I moped around with long faces and sulky expressions.

    I read about how I passed my CNY last year, and my heart lightened when I remembered that I attended that potluck dinner - the very last time when almost everybody in the family turned up. I am so glad that I made it, even though I was crazily busy with assignments that were tough to crack. A cousin compiled some pictures that were taken at that night and made them into a photo book. We received a copy a few days ago. It was surreal, looking at those photos wherein my grandma posed so demurely, and it felt like only yesterday. I also saw candid shots of myself, staring seriously at some unseen object. If only I knew then, what I know now.

    Although house visits and gatherings were limited, I did venture out of house. On CNY eve, I made some last minute shopping for new clothes. I bought some long sleeve shirts for job interviews and work at a price that made me smile so broadly. Even as I tried those shirts on, I couldn't help but feel an inward burst of joy and later, a bit of guilt. Here I was, browsing through clothes and trying them on, getting excited at the low price, whereas some few hundred kilometres up north my grandma was lying six feet underground. Sigh. It's never easy letting someone go. I guess I'd have to do it a few thousand times before it really counts.

    More recently, I took public transport four out of the past seven days. One was for a job interview in the city, and the other three were focused on getting my phone repaired. I stopped by for a movie, a browse through a bookstore and some visits to fashion outlets. Not so much to entertain myself as to get rid of the negativity that has been gathering, thick and viscous, in me. It was pretty refreshing to walk around so much in parts of the city that I seldom visited. Of course, any trip on the public transport would be incomplete for me without a stranger asking me for directions of some sort. I guess I have that knowledgeable and helpful appearance that is just so endearing to strangers. Or maybe it was my gait: long, powerful and purposeful strides through the crowd, no matter how alien that place is to me. (OK, just kidding.)

    As the CNY draws to a quiet (and drizzly) end, I would like to thank my friends for supporting me (you know who you are). It means a lot to me to have your support - no matter how small a gesture is, know that I do notice and am grateful for it. Happy Chap Goh Meh.

    Saturday, 28 February 2015

    那几天: 15/2/15-17/2/15

    15/2/15

    外婆今早举殡。

    出殡之前,我们丧家众多儿孙、媳妇、女婿
    为她做了几项说不上名字的仪式。
    在跪拜外婆时,我突然想起《甜蜜蜜》的歌词、
    忆起她生前的笑容,不禁悲从中来。
    双手合十于胸前,肩膀却不听话地抖动,
    眼泪决堤滑落脸颊。

    合上双眼垂低头,睁眼又见浊泪流。
    上香前,我的脸被泪水打湿,却不敢用手去抹,
    因为手里还持着线香。
    任它流吧,眼泪。
    我意识到,这是我最后一次送外婆,
    以后我们真的阴阳相隔。
    我带着沉重的心情缓缓鞠躬、上香。

    我们这些送殡的家属撑伞跟在柩车后面,
    走了一段很长的路。
    看到其他车让路,我心想,
    这下全镇的人都知道我们治丧。
    真不好意思,阻碍交通。
    太阳很猛,还好我们不必走完前往坟山的路。
    走了一半的路,我们下跪对着灵车拜一拜,
    然后乘搭巴士到坟场。

    到了坟山,我们先拜大伯公、卸下腰间的孝带、
    再请来送别外婆的客人们吃烧肉。
    时辰到了,我们家属徒步到外公、外婆的双人坟前。
    鞠躬、上香、抓土抛在棺木上、说声“婆婆,安息”、
    手抹在裤子上、转身、头也不准回地走下山。
    Abrupt, mechanically。
    我们随后将鲜色的衣服搭在右肩上,
    做个仪式“旺一旺”自己,
    再跨火、洗手、领个钱币、换上刚才的鲜色上衣。

    回到家,我们再一次跨火,然后轮流洗澡。
    这时的气氛明显轻松了一点。

    外家的家属亲戚都在饭后离开,只剩丧家的家属。
    我没跟其他的外戚们走,选择留下来陪妈妈多两天。
    听她说还有一个仪式要做,做了之后她跟几位阿姨搭火车回雪隆。
    我担心我妈不熟路、担心她手提大袋小袋的东西,
    所以我早就准备好多几套衣服,以防万一我“逾留”。
    她为这起丧事忙碌、累透了,这几天的记忆力没有平时的好。
    陪她也好,看着她也罢,我实在放不下心才多住几天。

    16/2/15

    我没有想到我会为我留下来的决定而感到后悔万分。
    在众多表弟表妹们,只有我是外孙,
    而且我大他们很多,融不入他们的世界。
    我没参与长辈们的闲谈、只和孩子们一同吃饭,
    就这样被几位长辈说我“太静”、“不懂得『掺』人”。
    我点头,不解释也不为自己辩护,
    因为有时候我的话一针见血,直插要害。
    我怕我一开口就让子弹乱飞、得罪他们。

    熟悉我的人应该懂我原本就是一个话不是很多的人。
    再者,外婆刚刚仙逝,我只是尊重场合,
    给他们一个不吵杂的空间静思。
    做人真难:静也不能、吵也不行、胖是过错、瘦是罪过。

    闷闷不乐的我庆幸自己带了一本书和耳机,听歌看书打发时间。
    本来的一片孝心没被察觉,那不打紧,
    反而要我承受冷言冷语人身攻击,这才教我心痛。

    17/2/15

    一早醒来我又被嫌话少、没幽默没笑容。
    这次我直接还击:“其实我也不是时时都这样静……”
    抬头看到他们点点头,一脸认真。
    “……看是对谁而已。”
    一针见血。

    今天大家为外婆办了场“圆坟礼”之后,买椰水解暑。
    大伙儿说好吃了午饭就启程回雪隆一带各自的家。

    小姨和小姨丈没想到我会多住几天,
    以为只是需要载两个阿姨和我妈。
    两个小时左右的车程对背和腰的考验很大,
    于是我提议我自己搭火车回,
    这样一来三位长辈们可以坐得舒服一些。
    我妈认为要特地载我到火车站很麻烦,
    而且车票都未必买得到,驳回我的建议。

    我想和他们分开回,其实个中也有我自私的原因:
    我不希望在这么长的车程里再次被人说三道四。
    我想,一个人静一静也好,平复自己的情绪。
    我妈似乎搞不清楚状况,抑或假装不知道。
    我说我有些朋友要见面,坐火车回方便聚会,
    不用再驾车出来参与恼人的车龙。
    她不吃这套,叫我改时间、要不就推掉。

    为什么我这么傻傻地留下来?
    真是活受罪、现眼献世。

    回到家的时候,已经是傍晚六点多。
    心情糟糕透顶,捶胸号啕撕心裂肺。
    晚饭还没吃的我直接倒头入睡。

    Friday, 27 February 2015

    那一天: 14/2/15


    经过两个小时多的车程,我们终于回到怡保。
    自中学毕业后,我再也没踏足这片山清水秀的土地。
    这里的变化不及吉隆坡市的快——
    较为明显的是光秃秃的矿山有过度开发的迹象,
    还有小镇的交通灯多了几盏。
    食物依然好吃、依然便宜。

    我还记得前天傍晚当我接到关于外婆的噩耗时,
    我楞住、不知所措的样子。
    我还以为阿姨打错字,误将“妈好多了”写成“妈好走了”。
    外婆走得太突然,我一时不能接受,所以到庭院去浇花。
    我还记得那时的斜阳传来的暖意,以及空气中湿土独特的味道。Petrichor。
    走了?就这样走了?

    妈妈打点好行装,就说要自己驾车到大舅家看外婆最后一面。
    我想到傍晚放工时间是车流量偏高的时候,
    在加上我妈天黑黑驾车危险、心情糟透精神恍惚驾车险上加险,
    所以我提议我载她去。

    那是前天的事了。
    前天感到意外,昨天心是麻木,现在回到外婆的老家,
    心里不是味儿。
    脱了鞋,我领着妹妹们叫了声“婆婆”,
    说我们回到了、叫她一路走好。
    我的声音明显地颤抖。
    上香后,我们仨瞻仰外婆的遗容。

    前天晚上我和母亲赶得及在外婆的遗体运回家乡前,看她最后一次。
    当晚外婆的脸蛋泛黄双唇微微张开,
    现在她脸庞上了妆、梳了头发、擦了些口红/唇蜜。
    我将早已准备好的话对着外婆说——
    今天是洋人情人节,因此我提到她对我们的爱。
    我声音微微颤抖地感谢她这么多年来照顾、疼惜我们三兄妹,
    我们才长大成人,从她身上学会爱别人、照顾别人。
    虽然很舍不得她,但我叫她别挂念着i我们、要安心上路。

    我为我自己挤不出半滴眼泪而感到不好意思。
    不过,哀愁逼不出来也装不出来,只好等它来咯。

    凭着去年为堂小姑折小元宝的经验,我花了整个下午为外婆折往生钱。
    期间也不敢高谈阔论,因为听说大姨丈和小姨丈不久前发生争执。
    小姨丈是地道的香港人,他所熟悉的治丧气氛是严肃静默的。
    而阿姨们有说有笑、有个表弟昨晚还大声尖叫,小姨丈看不过眼,
    认为我们家完全没有办丧事的态度,不尊重逝者。

    我一边折纸一边回忆我跟外婆共度的时光。
    绝大多数是开心的回忆,我也忍不住微笑。
    其实过于严肃又如何——病魔缠身的外婆渡过的最后几年是痛苦、不开心的,
    现在她走了,也许她解脱了。
    想想外婆、想想以前开心的事自然而然地笑——这还不算什么不尊重啊。
    她在世的时候,我逢年过节都载妈妈去探望她;
    大舅一家出外旅行的时候,我们晚辈轮流陪外婆。
    该做的都做了,算是尽了孝道。

    晚上,我们吃过简单的晚饭,就开始打斋。
    舅舅阿姨们和表弟表妹们身穿黑衣,而我们这些女婿们、外孙们身着白衣。
    我们像是分成两帮人,连戴孝也不同颜色分得那么清楚——
    这还是第一次亲身经历这种事(外公去世时我还小,不记得)。
    收起笑容、板着脸孔、跟着大家做……
    没记错的话,我们总共做了五项仪式。
    其中有个环节,我听到几位阿姨哭得凄惨,我鼻头酸酸的,可是没流出眼泪来。
    南无佬边领着大家做法事,边哀嚎。
    有够夸张的,我看不过眼,皱了眉头。

    烧了纸扎、煮了寿饭,都是接近凌晨一点的事了。
    由于亲戚太多,所以我和小舅一家人挤一挤,随便找个地方睡。
    隐约听见客厅传来的“南无阿弥陀佛”。
    恍恍惚惚地睡了几个小时。

    Sunday, 22 February 2015

    Siem Reap Trip 2015

    Tonle Sap

    Tonle Sap. The floating houses are usually anchored and form small villages, spread over five provinces. The people used to fish as many as they like, but when conglomerates came in and over-fished, the government restricted fishing for the people: 1kg for each family per day. How to survive? The poor made poorer, the rich get richer.

    Floating basketball court. "What happens when a basketball fall into the water?" "Swim and get it back."

    "Consider buying things from or leaving money with the community market. That way, your money won't go into the pockets of corrupt police. The market will hand over resources to the local school and benefit the children, like cooking for them."

     

    Beng Mealea


    Krishna overcoming the serpent Kaliya.

    'Growing strong: The juxtaposition between the dead and the living.' (my name for it, haha) This tree grows among the ruins at Beng Mealea, thick and tall.



    At Beng Mealea, the lesser known "sibling" of Angkor Wat. Depicts "The Churning of the Sea of Milk" from Vishnu lore.

    Pre Rup. The reddish hue is due to its laterite and brick make-up

    Cambodian/Khmer food named "amok". Tasted like lots of blended serai (what's its name in English?) and coconut meat. Not spicy, very fragrant.

    Instead of a grand piano, our hotel lobby has a Cambodian traditional instrument, "roneat." Live performances every morning.

    Ta Prohm

    Ta Prohm. Best approached from its East gate, as it's more quiet and shady than West gate, where Korean guided tours arrive in throngs. Best time to visit is between 8-9am (beat the other tourists lol).

    Reach for the skies.

    Spot the Buddhas.

     

    Bayon

    Bayon at Angkor Thom, a "rojak" of buildings with so many styles.

    Bas-reliefs at Bayon depicting Angkor soldiers battling the Cham invaders on Tonle Sap.

    Part of the bas-reliefs at Bayon. This one depicts everyday life of the common folk.

     

    Baphuon

    View from atop of Baphuon at Angkor Thom. Dizzying height.

    Monks on Baphuon. Dress code is stricter here, the largest "mountain-temple" at Angkor Thom, than other sites. A few tourists before us were stopped by a guard because they wore clothing that exposed their knees (skirts, shorts) or shoulders (straps).

    Do they look like elephant trunks?

    Elephant Terrace.

     

    Angkor Wat

    What sets Angkor Wat apart from other temples within the Angkor group of buildings: it is oriented to the west, rather than the east. The significance of this feature is open to debate. Some scholars argued that since Angkor Wat faces the west, and west, where the sun sets, symbolises death, the temple may be its founder, King Suryavarman II's mausoleum/funerary temple. Other scholars preferred a simpler explanation. Angkor Wat was originally a Hindu temple dedicated to Vishnu, who was associated with the west, so it's not surprising that Angkor Wat has a westward orientation.

    The sandstone blocks that made up this avenue have sunk and become uneven, making walking difficult for most tourists and painful for those who have knee problems.

    Vertigo.

    On top of Bakan at Angkor Wat.

    "One of the 2000++ apsara carvings at Angkor Wat. She's wearing a very fashionable dress."

    "We are like dwarfs sitting on the shoulders of giants. We see more, and things that are more distant, than they did, not because our sight is superior or because we are taller than they, but because they raise us up, and by their great stature add to ours." - John of Salisbury, 1159. p.s. The lighting was good, but too bad I'm no photographer.

    People become contemplative, posed as if deep in thought around these ancient columns of squarish windows, for that perfect square Instagram-worthy picture, with a little caption underneath that sounds vaguely spiritual, if not religious. I guess the builders and sculptors of this site wouldn't mind, having achieved with their hands, so many years ago, the goal of inspiring awe within individuals who see their work, set in stone, constant in the relentless flux of technology.

    Sunset at Angkor Wat.

    晚霞 • Overheard: "The colours of the monks' robes - red and saffron - took after that of the sun."

    Moonrise over the temple, skies were blue and the sun was just setting.

    Sunset over the moat at Angkor Wat.



    Naga (dragon) balustrades at the entrance of Angkor Wat moat causeway.

     

    Phnom Kulen



    Cows crossing the road, on the way to Phnom Kulen mountains.

    Reclining Buddha at #phnomkulen. Carved from a rock

    Kbal Spean. Lingas carved in the rock. Water said to be purified and holy.






    Waterfall at Phnom Kulen

    Night market, where buyers and sellers haggle using calculators.

    Old Market. Fresh produce.





    Pictured here is a basin full of jasmine petals, as an offering. Khmer New Year coincides with Georgian calendar's new year, hence the flowers. The Cambodian people's love (and veneration) for jasmine flowers is such that one could easily find jasmine-scented hand soaps/sanitisers in both urban and rural places, most commonly at temples, restaurants and airports. It wouldn't be too wrong to call jasmine the national scent.

    It's been an eye-opening trip. Good times with the family and relatives. Till we meet again, Cambodia.

    © Lumière
    Maira Gall